Re: RAVENLOFT: The One That Got Away CHAPTER SIX
Posted: Fri Mar 31, 2017 6:58 pm
BENN
AFTER LEAVING WITH THE SWORDSMEN, VIA ROWBOAT
The men don't speak as they row Benn out into the midstream waters.
One man taps time out with his fist on the hull, as the others pull at the oars, driving the slender boat faster and faster upriver with the current aiding their efforts.
For a moment, Benn thinks he spots the Briar rose ahead, but in the morning haze over the water, with no wind to clear the vapors and smoke intermingled with falling ash, that bulk ahead could be any large watercraft painted a light color. And it soon passes from sight, beyond a castellated island.
The rowers pull on until the vessel draws near one of the larger midstream islands, where an imposingly tall palace of old-fashioned, dark masonry rises over terraced gardens bounded by iron fences and masonry walls covered in brown creepers.
Delanuit, seat of the famous--those who place faith in nasty rumors might say infamous-- Reniers of Pont-a-Mouseau.
Benn sees bridges connecting the island of the palace to smaller islets, and one running west to the riverbank. The last time he was here, years ago, he came over that longer bridge.
The Renier henchmen moor the boat at a small pier of marble, half-hidden by bulrushes, and help Benn up onto a paved walkway that wends up the slope of the island toward the east-facing gardens.
They lead on, taking him through a series of gates, under archways of cherry trees, and into the palace through a postern set in the wall near the cherries.
Down halls half in sunlight, half in shadow, with tall narrow windows of amber glass, through a maze of narrower wood-paneled galleries and chambers, and into the grand salon with its chandelier, fine upholstered furniture, oil paintings, and new-fangled piano.
A husky but feminine voice calls from behind a silk screen in a far corner of the large chamber,
“I’ll be out in a moment. I’m just changing.”
If the lady’s guards are scandalized by such informality, the feeling doesn’t register on their blunt, hard faces.
A moment later, Jacqueline Renier steps around the screen, wearing a blue silk gown, low cut, jeweled slippers, and a string of pearls.
She twists her long black and gray hair into a love knot and slides into a pile of cushions on a couch.
“Bennedict.”
The huskiness is gone, replaced by a light, sweet tone.
She smiles. Pearly teeth, perfect and small.
Renier doesn’t appear to have aged a day since he saw her last, several years ago. Still lovely, dagger-slim, with dark eyes that don’t betray her emotions and fair skin that shows no trace of the lead powder wealthy and fashionable ladies have taken to wearing in recent months.
“I do wish I’d been able to meet your Charlotte before she departed the city. A handsome woman. And she’s given you two children.’’
Jacqueline motions to a chair set near the couch.
AFTER LEAVING WITH THE SWORDSMEN, VIA ROWBOAT
The men don't speak as they row Benn out into the midstream waters.
One man taps time out with his fist on the hull, as the others pull at the oars, driving the slender boat faster and faster upriver with the current aiding their efforts.
For a moment, Benn thinks he spots the Briar rose ahead, but in the morning haze over the water, with no wind to clear the vapors and smoke intermingled with falling ash, that bulk ahead could be any large watercraft painted a light color. And it soon passes from sight, beyond a castellated island.
The rowers pull on until the vessel draws near one of the larger midstream islands, where an imposingly tall palace of old-fashioned, dark masonry rises over terraced gardens bounded by iron fences and masonry walls covered in brown creepers.
Delanuit, seat of the famous--those who place faith in nasty rumors might say infamous-- Reniers of Pont-a-Mouseau.
Benn sees bridges connecting the island of the palace to smaller islets, and one running west to the riverbank. The last time he was here, years ago, he came over that longer bridge.
The Renier henchmen moor the boat at a small pier of marble, half-hidden by bulrushes, and help Benn up onto a paved walkway that wends up the slope of the island toward the east-facing gardens.
They lead on, taking him through a series of gates, under archways of cherry trees, and into the palace through a postern set in the wall near the cherries.
Down halls half in sunlight, half in shadow, with tall narrow windows of amber glass, through a maze of narrower wood-paneled galleries and chambers, and into the grand salon with its chandelier, fine upholstered furniture, oil paintings, and new-fangled piano.
A husky but feminine voice calls from behind a silk screen in a far corner of the large chamber,
“I’ll be out in a moment. I’m just changing.”
If the lady’s guards are scandalized by such informality, the feeling doesn’t register on their blunt, hard faces.
A moment later, Jacqueline Renier steps around the screen, wearing a blue silk gown, low cut, jeweled slippers, and a string of pearls.
She twists her long black and gray hair into a love knot and slides into a pile of cushions on a couch.
“Bennedict.”
The huskiness is gone, replaced by a light, sweet tone.
She smiles. Pearly teeth, perfect and small.
Renier doesn’t appear to have aged a day since he saw her last, several years ago. Still lovely, dagger-slim, with dark eyes that don’t betray her emotions and fair skin that shows no trace of the lead powder wealthy and fashionable ladies have taken to wearing in recent months.
“I do wish I’d been able to meet your Charlotte before she departed the city. A handsome woman. And she’s given you two children.’’
Jacqueline motions to a chair set near the couch.