The Soulless Crown: Difference between revisions

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Written and [[performing|performed]] by [[Luther Bedarik]] in [[742 BC]]. Epic tragedy, [[ballad]], and one person [[opera]] about [[Grandfather Wolf]] being betrayed by two of his offspring [[narrulves]]. Not too subtly allegorical to [[Harkon Lukas]] and his relationship with [[Akriel Lukas]] and [[Casimir Lukas]]. Implicates Harkon Lukas and his two children to be narrulves.<ref name="Gazetteer I p. 95">[[Gazetteer I]] p.95</ref>
Written and [[performing|performed]] by [[Luther Bedarik]] in [[742 BC]]. Epic tragedy, [[ballad]], and one person [[opera]] about [[Grandfather Wolf]] being betrayed by two of his offspring [[narrulves]]. Not too subtly allegorical to [[Harkon Lukas]] and his relationship with [[Akriel Lukas]] and [[Casimir Lukas]]. Implicates Harkon Lukas and his two children to be narrulves.<ref name="Gazetteer I p. 95">[[Gazetteer I]] p.95</ref>
{{potential-canon}}
[[The Wolf's Lament]] is the climatic aria of the Soulless Crown, in which Grandfather Wolf (here used as an allegorical figure for [[Harkon Lukas]]) expresses his sense of [[betrayal]] and final defeat at his two back-stabbing children before facing [[exile]]. Ironically, Harkon Lukas reframed its meaning entirely to defeat Bedarik in the [[Meistersinger Contests|meistersinger contest]] of [[743 BC]], thereby causing Bedarik to flee from public life.<ref>[http://fraternityofshadows.com/TheVault/Rl_Gaz_I_WE.pdf Gazetteer I Web Enhancement] p. 4</ref>


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Revision as of 14:31, 24 March 2019

Written and performed by Luther Bedarik in 742 BC. Epic tragedy, ballad, and one person opera about Grandfather Wolf being betrayed by two of his offspring narrulves. Not too subtly allegorical to Harkon Lukas and his relationship with Akriel Lukas and Casimir Lukas. Implicates Harkon Lukas and his two children to be narrulves.[1]

The Wolf's Lament is the climatic aria of the Soulless Crown, in which Grandfather Wolf (here used as an allegorical figure for Harkon Lukas) expresses his sense of betrayal and final defeat at his two back-stabbing children before facing exile. Ironically, Harkon Lukas reframed its meaning entirely to defeat Bedarik in the meistersinger contest of 743 BC, thereby causing Bedarik to flee from public life.[2]


References