DORGIO, IN THE DUNGEON
Brock Marsh Runoff wrote:The Dungeon
Dorgio tries to take a closer look at the portraits to see if anything can be gleaned about where he is or what this place is. At the same time, he also calls down a healing prayer on himself, knowing that he'll need his strength for whatever lies beyond.
((OOC: Cure light wounds on Dorgio))
The healing prayer restores a measure of vitality to Dorgio's battered and burned body.
Looking over the murky canvasses, he notices that the faces painted thereon shift and later when he stares too long at them and when he looks away.
Two of the pictures do not change, though. One resembles Primeiro, but much younger, perhaps nine or ten years of age.
On a wispy, nearly insubstantial easel propped against the wall rests an unfinished portrait of Everline. The artist has depicted her not as a hard-bitten adventuress, but as a girl of the gentry, well dressed in lace and holding a miniature spaniel with a big pink ribbon tied about its head.
Petrie, standing just behind Dorgio with the torch, asks,
“What does it mean?”
THOM, AT THE TOP OF THE PIT
The shadow thing falls right through Thom, leaving him shivering from an unearthly cold and blinded from webs of darkness that cling to his eyes. When Thom’ vision clears, he sees Primeiro coming towards the pit with sword in hand. Eustace wanders the ruins behind the young swashbuckler, uttering strange curses and waving his hands in the air.
PRIMEIRO
The enemy falls over Thom and sinks into the pit, vanishing from Primeiro’s sight.
The young man hears Eustace behind him, gibbering mad blasphemies and stamping about the stone floor.


