Lechberg: Difference between revisions
No edit summary |
m Added the "Community in Borca" category. |
||
| (8 intermediate revisions by one other user not shown) | |||
| Line 1: | Line 1: | ||
{{canon}} | {{canon}} | ||
[[Lechberg]] is a small city, located originally in [[Dorvinia]], now in [[Borca]]. | [[Lechberg]] is a small city, located originally in (and the former [[capital]] of) [[Dorvinia]], now in [[Borca]] following the latter's absorption of the former in the [[Grand Conjunction]]. Lechberg is located in northern Borca where [[Lech's Road]] and the [[Scythe Highway]] join on the western shores of the [[Vasha River]] just prior to crossing via the [[Raudraci Bridge]]. Further east in the center of town [[Lech's Mountain]] juts 800 ft into the air, to which the roads circle up and around.<ref name=GazIVp.33>[[Gazetteer IV]] p.33</ref> | ||
Lechberg contains [[Degravo]], the [[estate]] of [[Ivan Dilisnya]].<ref name="Gaz IV p. 34">Gazetteer IV p. 34</ref> | |||
==Authority== | |||
Lechberg is owned entirely by Ivan Dilisnya.<ref>Gazetteer IV p. 28</ref> [[Conte Edmondo Dilisnya]] and [[Conteasa Sofia Buchvold]], the [[town leader]]s of Lechberg, are both [[stapan]]s of Dilisnya. [[Captain Zivon Doritor]] is the captain of the [[Lechberg Militia]]. Ivan Dilisnya has addicted all three of them to [[Borrowed Time]].<ref name="Gaz IV p. 34">Gazetteer IV p. 34</ref> | |||
==[[:category:Locations in Lechberg|Locations in Lechberg]]== | |||
==[[:category:Inhabitants of Lechberg|Inhabitants of Lechberg]]== | |||
==[[:category:Streets of Lechberg|Streets of Lechberg]]== | |||
==Missing Dread Possibility from Gaz IV== | ==Missing Dread Possibility from Gaz IV== | ||
{{Potential-Canon | {{Potential-Canon}} | ||
Many Borcan plays are based on existing stories, so it was normal when [[Cezar Vercezzo]] based his 749 work, ''[[The Blind Gypsy]]'', on a common tale. In the opera, a [[Vistana]] whose family is killed seeks to prevent future tragedies by trading his eyes to an evil [[hag]] for a pair of gems that can see the future. However, every future he sees depicts the subject being murdered by an unseen creature. The Vistana is soon cast out and forced to live among the [[giorgio]], most of whom rashly try to use the “seer’s” visions for themselves. One by one, the giorgio fall to the curse, including a kind girl who has sheltered the Vistana. In the end, the Vistana races to save her, but discovers the girl dead in the hag’s arms. In the climactic aria, the hag chides him for tempting fate and gloats that her gems did show him the future: her own. | Many Borcan plays are based on existing stories, so it was normal when [[Cezar Vercezzo]] based his 749 work, ''[[The Blind Gypsy]]'', on a common tale. In the opera, a [[Vistana]] whose family is killed seeks to prevent future tragedies by trading his eyes to an evil [[hag]] for a pair of gems that can see the future. However, every future he sees depicts the subject being murdered by an unseen creature. The Vistana is soon cast out and forced to live among the [[giorgio]], most of whom rashly try to use the “seer’s” visions for themselves. One by one, the giorgio fall to the curse, including a kind girl who has sheltered the Vistana. In the end, the Vistana races to save her, but discovers the girl dead in the hag’s arms. In the climactic aria, the hag chides him for tempting fate and gloats that her gems did show him the future: her own. | ||
On opening night, a blindfolded beggar accosted Vercezzo, warning him that he had “stolen” the man’s tragedy. “If you dare steal the pain of the world for your art, then the world will steal it back.” Since then, whenever a performer in Vercezzo’s operas plays a role for a few months, her real life slowly and subtly comes to mimic her character’s experiences. Sadly, the dominant themes in Vercezzo’s oeuvre are uncontrolled passion, romantic betrayal, scheming women, violent men, and third acts awash in blood. In Lotharia, a woman plays three suitors against each other; when two kill each other in a duel, the third kills her to avenge his friends. In [[The Silent Child]], a poor serving girl — traditionally played by a [[halfling]] — falls in love with the oblivious master of the house and turns him against his family to win him for herself. Vercezzo has only recently started to comprehend the power his operas have over his casts, and he is considering the best approach to take. He is unlikely to change the themes that keep him in [[Ivan Dilisnya|Lord Ivan]]’s favor, however. | On opening night, a blindfolded beggar accosted Vercezzo, warning him that he had “stolen” the man’s tragedy. “If you dare steal the pain of the world for your art, then the world will steal it back.” Since then, whenever a performer in Vercezzo’s operas plays a role for a few months, her real life slowly and subtly comes to mimic her character’s experiences. Sadly, the dominant themes in Vercezzo’s oeuvre are uncontrolled passion, romantic betrayal, scheming women, violent men, and third acts awash in blood. In Lotharia, a woman plays three suitors against each other; when two kill each other in a duel, the third kills her to avenge his friends. In [[The Silent Child]], a poor serving girl — traditionally played by a [[halfling]] — falls in love with the oblivious master of the house and turns him against his family to win him for herself. Vercezzo has only recently started to comprehend the power his operas have over his casts, and he is considering the best approach to take. He is unlikely to change the themes that keep him in [[Ivan Dilisnya|Lord Ivan]]’s favor, however. | ||
{{ref}} | |||
[[Category:Community]] | [[Category:Community]] | ||
[[Category:Community in Borca]] | |||
[[category:City]] | [[category:City]] | ||
[[Category:Small City]] | [[Category:Small City]] | ||
Latest revision as of 20:06, 21 November 2022
 |
This section contains canon info from officially published sources |
Lechberg is a small city, located originally in (and the former capital of) Dorvinia, now in Borca following the latter's absorption of the former in the Grand Conjunction. Lechberg is located in northern Borca where Lech's Road and the Scythe Highway join on the western shores of the Vasha River just prior to crossing via the Raudraci Bridge. Further east in the center of town Lech's Mountain juts 800 ft into the air, to which the roads circle up and around.[1]
Lechberg contains Degravo, the estate of Ivan Dilisnya.[2]
Authority
Lechberg is owned entirely by Ivan Dilisnya.[3] Conte Edmondo Dilisnya and Conteasa Sofia Buchvold, the town leaders of Lechberg, are both stapans of Dilisnya. Captain Zivon Doritor is the captain of the Lechberg Militia. Ivan Dilisnya has addicted all three of them to Borrowed Time.[2]
Locations in Lechberg
Inhabitants of Lechberg
Streets of Lechberg
Missing Dread Possibility from Gaz IV
 |
This section contains Potential-canon info, revealed by the creators from never-published sources |
Many Borcan plays are based on existing stories, so it was normal when Cezar Vercezzo based his 749 work, The Blind Gypsy, on a common tale. In the opera, a Vistana whose family is killed seeks to prevent future tragedies by trading his eyes to an evil hag for a pair of gems that can see the future. However, every future he sees depicts the subject being murdered by an unseen creature. The Vistana is soon cast out and forced to live among the giorgio, most of whom rashly try to use the “seer’s” visions for themselves. One by one, the giorgio fall to the curse, including a kind girl who has sheltered the Vistana. In the end, the Vistana races to save her, but discovers the girl dead in the hag’s arms. In the climactic aria, the hag chides him for tempting fate and gloats that her gems did show him the future: her own.
On opening night, a blindfolded beggar accosted Vercezzo, warning him that he had “stolen” the man’s tragedy. “If you dare steal the pain of the world for your art, then the world will steal it back.” Since then, whenever a performer in Vercezzo’s operas plays a role for a few months, her real life slowly and subtly comes to mimic her character’s experiences. Sadly, the dominant themes in Vercezzo’s oeuvre are uncontrolled passion, romantic betrayal, scheming women, violent men, and third acts awash in blood. In Lotharia, a woman plays three suitors against each other; when two kill each other in a duel, the third kills her to avenge his friends. In The Silent Child, a poor serving girl — traditionally played by a halfling — falls in love with the oblivious master of the house and turns him against his family to win him for herself. Vercezzo has only recently started to comprehend the power his operas have over his casts, and he is considering the best approach to take. He is unlikely to change the themes that keep him in Lord Ivan’s favor, however.
References
- ↑ Gazetteer IV p.33
- ↑ 2.0 2.1 Gazetteer IV p. 34
- ↑ Gazetteer IV p. 28
Data from the Ravenloft Catalogue
|
|
|
|
Ravenloft Third Edition - p115 | |
|
Servants of Darkness - poster map |
